Door‑counts vs linger‑time. Install cadence. Catalog language drift. Notes that don’t fit press releases but steer decisions.

Provisional statements and speculative boards charting practice at the edge of distribution.

Intent in the wild—tests before the frame exists. Signals worth keeping even when they break.

Part accounting, part choreography: who moves what, when, and why the room changes after.

Source trails overlaid with affective value maps; the line between ownership and attention.

The list behind the list. Credits for the work that makes the work possible.

What if the room turned left? Annotated plans designed to be argued with.

Shots sequenced for interpretation rather than proof.

Lux, glare, falloff—as dramaturgy, not utility.

Plural/Mixed worked between display and distribution, reading practice like a system and the market like a medium. This interface keeps the methods alive: artifacts to handle, diagrams to argue with, language to tune.